GCW December 4, 1983 from The Omni in Atlanta, Georgia

Purple Rain Tour The Omni, Atlanta 4th January 1985 Let's Go Crazy / Delirious / 1999 / Little Red Corvette / Take Me With U - Yankee Doodle / Free / Do Me, Baby / How Come U Don't Call Me Anymore - Temptation / Let's Pretend We're Married - International Lover / Father's Song / God / Computer Blue / Darling Nikki / The Beautiful Ones / When Doves Cry / I Would Die 4 U / Baby I'm A Star / Purple Rain A fantastic show professionally shot by a single camera directly in front of the stage.

About two days from the life of Anna Sergeevna Kuleshova, secretary of the rural district party committee. Along with solving a number of complex social problems, she also has to deal with many personal issues related to her daughter's fate, and patiently wait for her husband, a major who participates in the disposal of bombs left over from the war.

Catch all the excitement and action as WWE's most powerful superstars take to the ring. Featuring a WWE Championship between Hulk Hogan and Big John Studd.

On October 10th GCW presents The Aftermath live on FITE straight from Showboat Hotel in Atlantic city, NJ! The event features the first time ever match between Minoru Suzuki and Joey Janela.

Period children's drama about the adventures of a young chimney sweep in Victorian London.

Maya and Yosef build a friendship that will warm up the hearts of townspeople with lessons, when border agents intercept a coyote smuggling of a group of tired and desperate refugees.

On January 23rd Game Changer Wrestling presents The WRLD on GCW live on FITE straight from Hammerstein Ballroom at Manhattan Center in New York! The event features GCW World Championship Match where Jon Moxley faces off Homicide and the ROH World Title Match when Jonathan Gresham takes on Blake Christian.

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.

In January, a couple walks downtown at dawn. Is this a love story? Situations following after ‘February’ and ‘March’ put audiences in confusion. An intriguing narrative structure built on twisting time and converting relationships.